Archive for watercolor

after the show reflection/collection

Posted in feed with tags , , , , , , , , , , , , on November 5, 2010 by shawn dubin

the art show seems to have been a success.  received a considerable amount of good feedback on the pieces.  attendance was pretty high.  i sold three pieces ahead of time and three pieces on the spot, then three more this week.  i have been bitten by the bug of showing.  i want to have more shows!

next steps- photographing each of the pieces in frames before they go off to their owners and posting them to my website (stay on the lookout), making both the originals and prints available through my etsy store, working out the details of the next series of day of the dead paintings (twenty more in the pipes), putting said paintings together in a post card set, designing and completing the next series of darques and compiling all of them into a book, sending the untimely endeavor off to literary agents, completing a sketch book for the sketchbook project by january…  y’know- just a few things.

my aunt libby had this to say about the show on artblog.

pieces from the untimely endeavor upstairs at trust

adventures in hanging art

Posted in feed with tags , , , , , , , , , , , , , , on October 25, 2010 by shawn dubin

the first half of the day went very well. i did all of the things i normally do- fed the cats, had coffee and breakfast, checked the interwebs, etc. keeping to a respectable schedule, i made my way to trust to hang my show at 11 or so.

after some figuring, the art started going up, more coffee was had, good conversation… met harry boardman, more good conversation…

all in all, a smooth experience.

then i went out to the lot to retrieve my car and make my way toward the wife and dinner on the town. trouble was, my car was gone. towed. it was parked with a placard and permission of the folks who own the lot. george smith towing chose to ignore this. lovely.

randi, the director at trust set to calling the tow trolls. she and i then set forth to southwest philly and george smith’s compound. to add more sunshine to the day, we got a flat along the way. i changed the ruined tire out for her donut and we were once again on our way. upon finally arriving, we discovered that i could not get my car out without my registration and insurance information, despite what a sign at their gate said (pictured below), both of which were left at home after i had renewed my registration the night prior online. in my haze of excitement to hang the show, i’d forgotten to bring them back out to the car. yay me.

never mind the fact that the car shouldn’t have been towed in the first place. troglodytes.

randi then picked jen up and brought us home.

we met other jenn and shaun at the trolley car for dinner after which they were good enough to give me a ride back out to george smith’s torture emporium with the proper documentation in tow.

here i sit, hours later, car retrieved, cat beside me. accomplished and exhausted. more to come.

final stretch

Posted in feed with tags , , , , , , , , , , , , , on October 21, 2010 by shawn dubin

so… i’ve been cutting fabric and spray-painting frames and making little cut-outs in boards to squeeze little paintings into.  the darques are almost complete.  in case you didn’t already know from my barrage of promotional bits here and there and everywhere, i’m having an art show at trust venue(3rd and arch in philadelphia) on friday october 29th from 6-9pm entitled, “the darques and other fine sundry items”.  15 paintings make up the darques series, each representing a member of a delightfully eccentric family full of spooky secrets. 5 small dia de los muertos paintings on wood blocks will also be on hand as well as the original illustration plates from my yet unpublished book, “the untimely endeavor”.  artist harry boardman will also have pieces up.  if you come, you will be refreshed and, if of age, plied with wine.  the show ends on halloween.

as per said barrage of promotional bits, i have swallowed my long standing hatred of the twitterverse and joined it.  behold, my tweets of doom!  alongside this bit of madness, i have also added a fanpage for my art on facebook.

as though this weren’t enough, dear reader, in what tiny bit of spare time i could manage, i wrote a report from the trenches of the new york comic con to be found here.

tonight i will finish assembling the darques and prepare illustrations from the untimely endeavor for framing.

coffee, coffee, and, oh yes, more coffee.

framed and (mostly) ready to hang

postcard for exhibition promotion

Posted in feed with tags , , , , , , , , , , , on September 30, 2010 by shawn dubin

click for full size image (also easier to read)

exhibition

Posted in feed with tags , , , , , , on September 18, 2010 by shawn dubin

my art show, “The Darques and Other Fine Sundry Items”, has been confirmed.

trust venue- 3rd and arch streets, philadelphia

opening halloween weekend- friday, october 29th, 6-9pm

more information to come.

here’s another preview of one of the pieces in the Darques series.

little paintings, etc.

Posted in feed with tags , , , , , on July 8, 2010 by shawn dubin

are coming-no larger than 3″.  i’ve finished three new ones and have more on the way in preparation for the art show i’ll be having in october. dates to be announced here, on facebook, etc once they’re solid.

grand-mere

did a small interview for Inked magazine and may be in the august issue.  if anything comes from it, i’ll post an update.

pulling more ink together for the 13 project/proposal.  also getting a portfolio together for the upcoming comic con to drop at the booths of comic book companies.

work work work.

worlds without end release

Posted in feed with tags , , , , , , , , , , on December 4, 2009 by shawn dubin

at the moment, worlds without end is available for sale on lulu.com- link below.  it will be available through amazon and borders some time in the next 2-6 months.

i’ve stolen glen’s words here:

3 Years in the making, 63 Channels publishing is proud to announce the new Illustrated novel by 63 Channels owner/editor Glen Feulner & artist Shawn Dubin. to buy, go to : http://stores.lulu.com/63channelspress
Here’s a blurb about the book:
She is a nameless orphan, abused throughout her youth and imprisoned for the supernatural abilities she’s not supposed to have. On her 18th birthday, she uses her powers to escape and make a life for herself in a new world. When she witnesses the destruction of that world she moves on, unaware of the relentless evil forces following and the endless cycle of devastation she will endure.

Here’s what critics are saying:

In Worlds Without End, Glen Feulner and Shawn Dubin have created an apocalyptic multiverse rich in mystery and clouded with an oppressive supernatural foreboding. Feulner’s evocative text allows readers to peek behind a horrific curtain, revealing oblique glimpses in the shadows it casts that would have been dispelled by more concrete explanation. Dubin’s cinematic monochrome illustrations perfectly support that mood, at times shockingly tactile, at others sweeping into imaginative fancies suggestive of the bleakest of fairy tales. Together they’ve crafted an expansive mythology dense with world-altering struggles, twisted eroticism and fantastic powers treading the boundary between sci-fi and fantasy.
– Shaun Brady, Journalist

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I was given the opportunity to review Glen Feulner’s Worlds Without End, and I immediately sat up to take notice from the very first sentence. Here is a remarkably fresh voice in horror: this is a highly original work that brings fantasy and dark dreams to the surface in the form of the most beautifully descriptive prose I may have ever read. I found myself wanting to take my time with Feulner’s work; to savor the fluid movement and the depth of his creations.

As I said, I took notice from the very first sentence, which reads: “She was from nowhere and everywhere; a child of multiple worlds, never really raised but inspired by each piece of contact, no matter how brief.” What a grabber!

Worlds Without End comes in sections. Part One is more of an introductory explanation of who this unique individual is, done in a narrative style. It is interesting enough to hold my attention and it made me want to know more.

But it is in Part Two where the real excitement starts. Switching to a first person account, we begin seeing through the protagonist’s eyes. Glen Feulner has the gift of making the reader feel empathy for the character, and I found myself rooting for her.

This is the most original and creative book I have read in a long time. The elements of horror are there; but this book will appeal to lovers of science fiction as well. The protagonist is able to go through doors in time, some to worlds in apocalypse; others to places dark and haunting. The talent that Feulner possesses (besides the beautifully fluid prose) is that he is able to make all of this believable. It works.

Something truly amazing about Worlds Without End is the artwork. Its distribution throughout the book is generous, and this is a good thing, because artist Shawn Dubin is simply awesome. Beautifully drawn with intricate details, Dubin’s pictures are stunning.

All in all, Worlds Without End shines because of the combined talents of both Glen Feulner and Shawn Dubin. Do yourself a favor and pick up a copy. Or two.

-Jeani Rector, Author, :”Open Grave” and “Around A Dark Corner”